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Sound is one of the most edited aspects of a film. Not in terms of being modified, but in terms of reflecting what’s on screen. Filmmakers often isolate one or two sounds, or even add one that’s not coming from the scene itself in order to better tell a story. The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn’t limited to explosions, musical cues, or the Wilhelm scream. Let’s take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of ‘Modern Times’
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum – http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell – http://bit.ly/1MT5g0b
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